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Learn Secret Techniques used by Master Artists
in the Art Analysis by John R. Shipp Newsletter:
- Valuable art insights emailed at least monthly on the first of every month
- Many examples of the multi-reference technique
- Narrative storytelling in visual art
- How titles have more than one meaning
- Symbolism in art and visual storytelling
- How artists talk back and forth in their art
- How master art subliminal hidden images can enhance the stories in artworks
- Many newsletters will focus on paintings shown in my videos
The Story of the Art Lover
Once upon a time, there was an art lover. They loved art history, paintings, sculptures, and fine art photography. They loved to go to the art museum nearby and stare at all the beautiful art. They would stand in front of their favorite painting and wonder if there was more meaning than the obvious. One day, they decided to subscribe to the Art Analysis by John R. Shipp Newsletter. They learned many secret methods used by master artists over many centuries. They realized there was much more information in art than the obvious. They began to collect old master paintings and held parties in their home where they could have many long discussions about art which they loved and knew so much more about. They never knew that they could love art so much. Individual results may vary.
The Story of the Artist
Once upon a time, there was an artist who could not wait to make amazing art and make artworks that were in strong demand. They had a good art education including many art tutorials and they knew composition techniques and the basic elements and principles of art. However, their work was not very noticed. People would often look at their paintings and sculptures and then walk by after only a few seconds. One day, they decided to subscribe to the Art Analysis by John R. Shipp Newsletter. They learned about many hidden techniques used by master artists over many centuries. They began to use these methods in their art, and mysteriously, they began to get noticed. They were offered more shows and commanded much higher prices for their work. More and more galleries wanted to proudly sell their artwork. An art museum asked to do a one-person show of your work and discuss buying one of the works for the museum. Individual results may vary.
